This Drifting Poo Was Way Too Symbolic! These Are the TV Disappointments of the Past Year.

Looking back, we consider the TV landscape of the recent year, a handful of series emerge not for their excellence, but for their notable shortcomings. Ranging from cringe-inducing sequels to bafflingly poor documentaries, here are the programmes that had us scratching our heads or just reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with dreadful writing, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series fought to justify its existence. For a moment, as the final series started, it looked like it had at last hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator declared this would be the final season. It concluded on a low point; the lingering shot of Miranda’s toilet flooded with poo was just way too on-the-nose. Still, fans undeniably had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this drama's issues. The subject of a very rare no-star assessment, it was hard to know where to start listing the problems. The laughably leaden writing? The tedious glorification of wealth and materialism? The seemingly wilful parade of tropes? Acting so bad they felt borderline malicious? Let’s just say “all of the above” and forget about this series again. However, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, domestic violence allegations and fatherly failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this three-part documentary which chuckled along at Sheen’s various episodes of reckless hedonism while failing to tell us anything we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this series might induce should be saved for the people who have had to suffer proximity with this charming but flippant narcissist.

The Iris Affair

Of course we understood it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

MobLand

Shady figures meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many look a bit dated now, but at least they didn’t endure the embarrassment of having to indulge unconvincing dialects. But there were many other issues. Mainly that it was just really boring; a dispute over narcotics territory between various cockney rogues which felt rather simplistic.

With Love, Meghan

Considering the degree to which she provokes the ire of the nation’s performatively enraged commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various ventures into twee homemaking as intentional provocations. But then you watch them and are compelled to admit that actually, they might have a point. It’s like watching a lifestyle magazine animated; a poster for wine o’clock with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental platitudes and pointless crafting “tips” you’ll forget instantly. All supported by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about regarding Victoria Beckham and her journey with career, identity, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Instead, the experience was akin to consuming a marketing catalogue. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded non-event of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a sharp-tongued personality managing her estate. What more could you ask for? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The show ended up reeking of a production that was trying way too hard to emulate something way beyond it.

Too Much

How does one succeed a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart inclusion of gifted emerging comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled with care. Rather, the series struggled painfully to find the right tone, lurching from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Complex? Perhaps. A total mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a discovery that could destabilise society? Nope! This international thriller about government agencies spying on – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator notorious for sexual escapades as she prepared for her biggest challenge yet. What on earth would possess her? What we craved was far greater examination of her true psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to haul her son away from the queue. What we got was disturbing shots and zero interrogation of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.

Martin Stokes
Martin Stokes

Elena Voss is a digital anthropologist and writer exploring the cultural impact of emerging technologies.