Devouring 2025's Christmas Films: Highlights, Lowlights, and Unexpected Delights.

It is the time of year to relax on the sofa and devour a box of mince pies in front of a great film, a awful feature, or one that’s so bad it’s good.

This year, a crop of new seasonal stories hopes to be part of our festive viewing—potentially even joining the ranks alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).

So, in a helpful attempt to separate the winners from the losers, and to get into the holiday mood, I marathoned as many fresh festive movies as possible in a single day.

7.17am - A Very Jonas Christmas Movie

Beginning, optimistically, on a good foot. This film is the sole 2025 movie on a well-known aggregator's list of the top 100 holiday films of all time.

The musical trio end up stranded in the UK after concluding their global concert series and must get home for Christmas. Their endeavors are hindered by an malevolent Father Christmas, who breaks into song to announce they won’t get home until they “rediscover their sibling bond.”

The back-and-forth between the arguing trio is enjoyable even for the non-fan, while fans will certainly notice lots of in-jokes as they try to get back using any means of transport necessary.

It’s a journey of epic proportions.

It’s not a timeless masterpiece, but is superb for devotees and a positive start to the day.

Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who must sit through it.

Late Morning: Tinsel Town

Famous performer Kiefer Sutherland has been cast as a celebrity cast a traditional British stage show.

“A panto-what?” asks Sutherland’s “hard-to-work-with” and aging lead Brad Mack, who has seen better days and whose manager has tricked him into thinking he’s performing in high-class London stage.

His Aladdin cast-mates tell him he’s playing Buttons. “Absolutely not,” he protests. It's easy to predict their retort. That is, unless you’re ignorant of traditional British theatre traditions.

There are some great jokes, some heartwarming side stories, and the ensemble is excellent, too.

It’s the sort of feature that would be a bit cheesy at a different time, but is a highly enjoyable at Christmas.

Holiday verdict: 🎄🎄🎄🎄

Mid-Morning: Christmas Karma

A familiar face shows up at the beginning of this film, too, insulting someone for the second film in a row. Could this be a fresh holiday staple?

This time, he’s a singing black cab driver who collects Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The familiar story unfolds as the stingy Mr Sood is visited by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This Indian Scrooge is at least unique from all the others, but regrettably he’s not very compelling and Nayyar’s performance is lifeless—a problem when he’s so the main character.

Christmas tree rating: 🎄🎄

Noon: A BBC Special

Before lunch for a network's holiday special—which stars Guz Khan as a lovably grouchy guy who “avoids Christmas.”

But after he receives an sizable holiday payout at work, his wife (starring Morgana Robinson) convinces him spending the sum on a family trip to Lapland.

There’s just one problem—he discovers there was an mix-up with his bonus, which should have been £800, and he has to figure out how to reimburse the remainder.

Pleasant yet unmemorable.

Festive score: 🎄🎄

Early Afternoon: Champagne Problems

This is one of those Christmas films where the decorations and snow are in the backdrop—Christmas is the environment of the film rather than its raison d’etre—but it feels cosy and festive all the same.

High-powered businesswoman Sydney (starring Minka Kelly) is sent to a French chateau to negotiate a purchase for a champagne business. En route, she runs into a guy in a literary haven who offers to show her the holidays in the City of Light.

A commentator recently claimed this is the top new Christmas film of the last several seasons. That’s a bit of a overstatement, but it is a Christmas romance with a touch of class and gives the necessary heartwarming sensation.

The scene with a lengthy discussion about Die Hard is very good too.

Festive score: 🎄🎄🎄

A Charming Quest

Sixteen-year-old Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, regardless of the efforts of his dad (played by James Buckley) to tell him the reality.

The secret is out there, and Chris ventures forth to find it with the guidance of a panel of well-known figures.

It’s low-key but sweet, and perfect viewing while expecting Santa to visit.

Holiday verdict: 🎄🎄🎄

4.39pm - Oh. What. Fun.

Michelle Pfeiffer is the matriarch of a bickering American family who gather for the holidays—including fellow acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer opens by name-dropping classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the true heroes of the holidays—moms.”

So that’s the concept, but in reality it’s really a combination of those forerunner films, at least until Pfeiffer’s character eventually finds her strength.

Holiday verdict: 🎄🎄

Formulaic Fun

The day’s waned in quality, but thankfully here’s a new offering in the packed genre of cliched, saccharine, over-the-top—and utterly watchable—seasonal comfort food.

It’s a narrative as familiar as can be: An American woman goes on a quest to a distant snowy land and ends up stumbling across romance.

In this case, Caprice Bourret plays a publisher

Martin Stokes
Martin Stokes

Elena Voss is a digital anthropologist and writer exploring the cultural impact of emerging technologies.